Category: Astrology for writers

  • The astrology of best-sellers: Lord of the Rings

    The astrology of best-sellers: Lord of the Rings

    There is magic and an epic quest and monsters. But that’s not what made the Lord of the Rings such an enduring classic. The astrology of the book is clear – the story has tapped into a seam in the collective subconscious.

    But what can those of us who write and create learn from its success?

    I’ve previously written about how writers can use astrology in their creative practice and how astrology can help us make sense of why we create.

    In this series of posts I’m going to look at the astrological markers for why and how a book might become a best seller.

    The Fellowship of the Ring, the first book in the trilogy, was published in 1954. The books have since become one of the most successful fantasy series ever. According to the Tolkien estate over 150 million copies of the trilogy have been sold worldwide (fewer than Harry Potter, but more than Twilight, Narnia and A song of Ice and Fire).

    The books have been turned into a successful film trilogy and a series on Amazon. But they weren’t an instant hit and started to take off in the public imagination in the counter-cultural melting pot of the 1960s.

    The author, J.R.R. Tolkien, was a tweed-clad professor of Anglo-Saxon at the University of Oxford and he had written about an idealised England, creating his own universe out of old myths.

    So what can astrology tell us about what was going here?

    This is the chart for the day when the book was published (I’ve chosen the start of the working day in London as the time). There is a stellium in Cancer in the 11th house – a story that speaks of home in a way which is nurturing to the collective. The chart ruler, the intellectual and inquisitive Mercury, is in this house too, conjunct Jupiter –the planet that can lift you up and bring fame, success and good luck.

    There is also a square to Saturn in the second house, showing that success might take time or come late, but that there will be longevity to this project.

    Pluto in the 12th allows the story to pick up themes around a submerged collective trauma – probably having something to do with home, the threat of losing ones home, country or way of life due to war or ideological differences (trine Mars in Sag in the 4th).

    A longed for myth about England

    The series took off in the US, but it’s a story that is rooted in Englishness. Tolkien was an expert on Anglo-Saxon who wanted to create his own founding myth for his beloved country. There is a general belief that he was working with his own trauma of living through two world wars. He served in WWI, fighting at the battle of the Somme where one of his childhood friends were killed.

    Tolkien has always denied that the books were allegories of the wars, but there is clearly something in the books and the chart that speaks of defending ones home against foreign forces of darkness. And that home is the Shire, an idealised version a rural, pre-industrialised England.

    A link between Lord of the Rings and Brexit?

    So what happens to the chart if we look at the transits on the 23 of June 2016, when the collective psyche in England was gripped by a fantasy of this idealised long lost country and Britain voted to leave the EU? It’s fascinating.

    The transiting North Node and Jupiter are almost exactly conjunct the natal Venus (and near the Ascendant). This myth, this dream of a perfect country (Venus in Virgo) is heightened and enlarged by Jupiter. Transiting Saturn is on the IC – almost a sense of a need to force home (the IC) to become something from the past (Saturn).

    Pluto is on the natal North Node, a sense of destiny – as if this is the destiny of its people. Neptune is on the Descendant, so there is confusion around everyone else and everyone who isn’t “us” is seen through a foggy lens. It’s fascinating that this truly English fantasy was being activated at that point in time.

    Which made me wonder if there are any astrological links between the book and the politicians involved in Brexit.

    The prime minister who seems the most connected to this traditionalist and nostalgic view of a long lost England is the vicar’s daughter Theresa May who talked so fondly about running through fields of wheat (the naughtiest thing she’s ever done) and who talked disparagingly about “people of nowhere”, people who didn’t belong.

    Interestingly there are connections between her chart and the Lord of the Rings chart. When she was born there was a Moon/Venus conjunction on the book’s 12th house Pluto in Leo, trining its Mars in Sagittarius in the 4th and sextiling the Neptune in Libra in the second.

    That seems to be the pattern then, the compelling story that connects to a collective and subconscious urge to defend a home against a foreign invader, to save its beauty and its safe, peaceful way of life.

    And would you believe it, Jupiter is on the book’s natal Venus again. The people’s dream of a perfect country.

    What about the new King then? The one who talks to plants and goes to Romania once a year to live among wild flowers and cheese makers? The king who is passionate about a long lost rural civilisation and longs for a by-gone time. Are there any links to his chart?

    Not really. Which is interesting too. His natal Moon is opposite the book’s Saturn, that’s about it. So he symbolises and stands for a different fantasy of England. In the Lord of the Rings there is no king in the Shire.

    A deeper story about a long lost England

    When looking at the success of Lord of the Rings from an astrological perspective it seems clear that the story became popular by speaking to a yearning in the collective subconscious.

    Perhaps the story is linked to something uniquely English, perhaps it picked up a thread, a pattern that is part of this country and its story. But what is that story?

    There are a few different birth charts for the United Kingdom. The one I feel inclined to use here is the 1066 chart, when William the conquerer was crowned King of England. It was the first coronation in Westminster Abbey (which has of course burned down and been rebuilt several times since). The coronation was the result of a conquest and England hasn’t been successfully invaded since.

    There are again some interesting links between the charts.

    The 1066 chart’s Saturn and North Node are on top of the book’s Venus. Uranus is separating from a conjunction with the book’s Mars (connecting to the same pattern as the previous charts). And that’s perhaps what conquest looks like. That mythical and archetypal idea of England that is woven through the trilogy was squashed and challenged in 1066.

    The chart for the union of Great Britain and Ireland in 1801 (the chart that represents the launch of empire) has core wound Chiron close to the IC, the point of home and ancestry. But – Jupiter is conjunct the Sun and Moon, the ideal is wounded but the home is also enlarged and magnified.

    An author able to tackle a profound and ambitious story

    But part of the story of book’s success is of course also found in the chart of its author. So why Tolkien? How was this professor able to tap into this larger myth that spoke to so many people.

    Well firstly Tolkien’s ambitious Sun in Capricorn in the 5th house of creativity is conjunct the book’s North Node – so the books are part of his destiny.

    He has a beautiful grand trine in the air signs (the mind and intellect) between Saturn in the first house, Venus in the 6th house of work and Pluto/Neptune in the 9th house of publishing and higher learning. This is someone with an active mind and imagination who can tap into something profound.

    Mercury, the planet of communication and how we think, has just entered ambitious and hard-working Capricorn. Retrograde, so slightly off-beat and eccentric. It’s in the fourth house of home – and he re-created a myth of his homeland.

    Mercury is also supported by Moon conjunct the Descendant, so he is able to feel into the other, perhaps picking up the underlying need of the time. It’s also supported by Uranus, the genius and the maverick, in the second house of wealth. A potential sign of sudden windfalls and financial success, especially as it’s trining Jupiter.

    When the book was published there was a Jupiter/Mercury conjunction opposite his Sun and the transiting North Node. A good sign. But Saturn was on Tolkien’s natal Uranus in his second house. Success would have to wait until the early 60s when Pluto crossed his Ascendant, a transit that changes how we’re seen.

    Jupiter was back opposing Tolkien’s natal Sun when the first Lord of the Rings film came out in December 2001. But what’s really interesting is that Saturn is almost conjunct his career point the Midheaven and Pluto is on the other side of the chart conjunct his point of home, the IC. Saturn brings longevity to his career, but Pluto the planet of deep transformation sits on the point of home – the films changed the story.

    Finally the book’s destiny point, its North Node, is in Capricorn in the 5th house. There are a couple of way to interpret that. Either this archetypal story of England (as seen through the book) has something to do with building a better future for the children of the country. Or the intention of the author was to write an ambitious story that was supposed to be a fun, exciting and escapist ride. Or perhaps it’s both.

    Images via Unsplash: Oliver Spicer, Birmingham Museums Trust, Samuel Regan-Asante.

  • Writing with the help of the stars – famous authors and astrology

    Writing with the help of the stars – famous authors and astrology

    Astrology is story-telling. The symbols in a birth chart are the raw data that allow me to start shaping a story. And I’m not the only writer who’s been drawn to this ancient art – but how can we use astrology as writers?

    First we can look at our natal charts to try to figure what sort of writing that works with our astrological wiring.

    JK Rowling

    The most famous writer known to have used astrology is probably JK Rowling. It seems like she didn’t just dabble in it. Recently a handwritten and illustrated natal chart that she’s drawn up for a couple she met during an antenatal class came up for sale. According to the vendor of high end collectibles that sold the document for $20 000 “Rowling displays a strong knowledge of astrology, referencing texts such as the influential 15th century French work The Kalendar and Compost of Shepherds“.

    She is known for writing the mega successful Harry Potter-series and then becoming a hate figure because of her combative views on trans issues.

    But what does her birth chart tell us about Rowling as a writer?

    Like many people who write she has several planets in Virgo, a sign that’s ruled by the messenger Mercury. Virgo placements can create an active and precise mind. Virgo can also be pedantic and overthink things and several planets in that sign could create a writer known for their intricate plots – and/or a writer who struggles with perfectionism and writer’s block. For Rowling the former seems to be more on point, she famously plots out all her books on a complicated and detailed grid pattern.

    She has an influential Neptune in Scorpio in the 9th house of publishing. Here is someone who can dive into the undercurrents of society, the urges and drives of the collective consciousness and then shape what she’s picked up into stories that connect with something in the zeitgeist, stories that are published and read.

    With Harry Potter she connected with a long tradition of story-telling and children’s fiction in the UK – fantasy, boarding schools and a brave orphan standing up to the forces of darkness.

    Her Sun in Leo in the 6th house is able to pour a lot of energy into her work. It wants to shine, but it also wants to be of service. There is a sort of moralising tone to Harry Potter – be kind, stand up to bullies etc.

    Finally Jupiter, the planet of blessings, is in the sign of the writer – Gemini – in her 4th house. Stories and story telling about home and family are part of her strengths as a writer.

    The main thing that pops out to me when I look at her chart is a powerful and interesting pattern. She has a so called T-square, a dynamic and sometimes challenging aspect, between stern Saturn and the wounded healer Chiron in her first house, her Jupiter and her many planets in Virgo in the 7th house of relationships and her inner nature the Moon in the potentially tricky 8th house.

    For a writer this could mean that she will be naturally good at stories about wounded heroes who set out to complete a quest that is hard and will challenge them, through this they are confronted with questions and learnings around home and family and also their relationships. But with that Moon in the 8th there is almost an obsessive quality to it, a compulsive need to exorcise demons – real or imaginary.

    And perhaps that also describes the writer herself.

    Eleanor Catton

    This is an author who has been open about using astrology in her writing. Eleanor Catton, a young writer from New Zealand, took the literary world by storm with her second novel The Luminaries, which won the Booker prize in 2013 when she was just 28 years – making her the youngest author so far to win the prize.

    The book is over 800 pages long and follows the stories of twelve men in 1860s New Zealand. These twelve men all represent the twelve signs of the zodiac. Catton also tracked the planets during the year when the novel is set and used that to inform the plot – quite a clever way to use astrology as a writer.

    She has said that she became slightly obsessed with astrology when writing the novel.

    Her take on it?

    I like to think of the zodiac as having a lot in common with the Greek pantheon: less of a thing to be believed in, and more of a repository of cultural knowledge and history that is archetypal, and mythic, and responsive to close study.

    Eleanor Catton interviewed by The Age.

    So what does her birth chart tell us about what kind of story-teller she is?

    There are planets and angles in Virgo, Gemini and Libra. Signs that rule communication and the arts. She has a conjunction between her Sun, her self, and Mercury, her mind, in Libra in the first house. It’s connected to her inner self, the Moon, and Jupiter in strong-willed Aquarius in the fifth house of creativity and creative projects. She also has Venus and Mars in the 12th house of the subconscious in meticulous Virgo.

    The placement that really stands out to me is her Chiron, our core wound but also a point that can stand for healing, right on top of her Midheaven – the highest point in the sky when she was born, signifying our career or our status in the world.

    What sort of stories would an author with this particular birth chart create?

    They would be beautiful and deeply informed by the author herself. They would be different, unusual and with a strong sense of right and wrong, they might help the reader see the world through a different lens by showing them unusual and fascinating characters. Finally they would probably be ambitious works, dealing with topics like home, politics and the author’s country of birth (here I’m looking at her Neptune in Capricorn in the 4th, which is connected to her Mars and Venus).

    But what does that Chiron mean? Perhaps that fame will be difficult for the author, that it could cause her some feelings of anxiety or insecurity, but that she – through being her beautiful Libra self – can help promote harmony, balance and empathy through her writing.

    Olga Tokarczuk

    What a birth chart and what a writer. Polish writer and Nobel prize winner Olga Tokarczuk’s powerful book Drive your plow over the bones of the dead has a protagonist that uses astrology. The book itself deals with themes around the destruction of nature and how we treat each other – and in that other she includes both humans and animals as equals.

    Tokarczuk is also a clinical psychologist and an activist. When she was interviewed about why she created a protagonist who uses astrology she put it like this:

     I don’t know what it’s like here in the United States, but in Poland, astrology is a pseudoscience worthy of ridicule and contempt. The intellectual establishment neither values nor is interested in it. It’s considered to be the delusion of old women or hysterical girls; it’s part of the newspaper culture. Because I was creating a character who was supposed to be a bit rebellious, even as an older person, I gave her the astrology to annoy all those who treat astrology as something silly and frivolous. 

    Olga Tokarczuk interviewed at the Brooklyn Library.

    She then described how her own attitude to astrology is that it’s an old science, or art, “that foreshadowed psychology, perhaps even some kind of sociological way or thinking”.

    So what does astrology tell us about her?

    Most of her chart is concentrated in one corner – creating a forceful personality in whose life certain themes will crop up again and again. She has a stellium, several planets in one sign, in Aquarius – the sign of the maverick, the genius, the free-thinker and the activist. A part of that stellium is a Sun/Venus conjunction. There are also planets in Pieces and Capricorn on either side. Her Aquarius placements are squaring a Moon/Neptune conjunction in fixed, perceptive, deep-diving Scorpio in the 3d house of the writer. Phew!

    So writing will be activism and there is a sense that she as a writer wants to be of service, she works hard to try to change the world for the better – and she has very strong views on how to do it. Partly because her life and her character have given her challenging, but important and formative, experiences around the human psyche and the human soul. She knows what is going on underneath the surface. In a different time she could perhaps have been a healer or a shaman. What she knows isn’t always comfortable and she’s willing to be confrontational, to shake people up.

    She also has Pluto on her Ascendant, the lens through which her personality and chart is projected into the world. Pluto is in the 12th house of the unconscious and it’s in Virgo – the sign of the writer, the doctor and the nanny.

    I’ve only read Drive your plow, but after having written this I think I’m going reach for her back catalogue.

    Tips for writers who want to use astrology

    Astrology and writing go together quite naturally. Astrology can inform a plot or create characters, a technique that has been used successfully by both JK Rowling and Eleanor Catton.

    It’s also possible to look to the birth chart to identify our strengths as writers and figure out how to make the best use of our talents and skills. Olga Tokarczuk’s activism and hard won knowledge of the human psyche and the archetypal forces playing out in the world are all part of why she’s had such an impact as an author. Those talents stand out clearly to anyone who look at her birth chart.

    But this is just scratching the surface of how writers can use astrology. As a writer it’s a topic I want to keep coming back to.